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Dave Ebersole, Delia Gable,
Dash #1
by: Dave Ebersole, Delia Gable,Los Angeles, 1940: Private investigator Dash Malone can’t shake the feeling his lover, Johnny, is hiding something. Strange deaths start occurring throughout the city while a mysterious woman named Zita Makara begs Dash to take her case. When a grisly murder connects all three, a terrifying mystery unfolds.
$2.99 – $3.99
Los Angeles, 1940: Private investigator Dash Malone can’t shake the feeling his lover, Johnny, is hiding something. Strange deaths start occurring throughout the city while a mysterious woman named Zita Makara begs Dash to take her case. When a grisly murder connects all three, a terrifying mystery unfolds.
ISBN: 9781938720703
Publisher: Northwest Press
Publish Date: 2014
Page Count: 24
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A Waste of Time $7.99 – $19.99
The first full-length collection of irreverent and sweet comic strips from Rick Worley. Featuring a foreword by StevieD and EvilJeff from the Comic Book Queers podcast.
Foul-mouthed, sex-obsessed and misanthropic, Rick is no ordinary cute cartoon rabbit. The strips in this hysterically funny, surprisingly sweet collection range from fantasy tales about a closeted fundamentalist teddy bear, an oversexed fox, and a doomed robot love affair to autobiographical comics that share maybe a little too much information about the author. In their quest for contentment, the characters fail, fail, and sometimes fail again, but they never stop looking. There’s always the chance they’ll find that one person who was worth the search.
Or maybe not.
RAVES:
“There’s a brutal frankness and honesty coming from these foxes and teddy bears that you rarely see anywhere else. Comics are the one of the last havens to be truly offensive and beautifully unapologetic.” — from the foreword by StevieD and EvilJeff from the Comic Book Queers podcast.
“Beautifully drawn, hilarious, wistful, profane and very human. Rick Worley’s A Waste of Time knocked me out.” — Robert Kirby, creator of Curbside, Boy Trouble and THREE.
“Rick Worley’s insightful A Waste of Time comic strips are simultaneously tender and perverse—like his bunny.” — Howard Cruse, author of Stuck Rubber Baby and Wendel.
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Transposes $6.99
Dylan Edwards’ Transposes separates gender from sexuality and illustrates six fascinating true stories of transgender men who also happen to be gay or bisexual. The result is laugh-out-loud funny, heartbreaking, challenging, inventive, informative, and invites the reader to explore what truly makes a man a man.
Written and illustrated by Dylan Edwards, with a foreword by New York Times bestselling author Alison Bechdel (Fun Home, Are You My Mother?). 120 pages. 7″x10″. Black-and-white.Finalist for the 2012 Lambda Literary Award for Transgender Nonfiction!
PREVIEWS:
You can download a 37-page preview of the book in PDF or EPUB (iPad-only) format right here on the site. The preview includes the introduction and a full chapter of the book.
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The Power Within $2.99 – $4.99
A comic book tackling the subject of teen bullying and suicide, written by Charles “Zan” Christensen and drawn by Mark Brill.
Shannon gets picked on a lot; his dad and teachers think he should just “fit in” more, but that doesn’t help. So Shannon escapes into a super-powered alter-ego whenever he’s in a bad situation. But will the power within be enough to save him?
In addition to the main story, the book contains bonus pages by a collection of comics industry heavyweights, including Gail Simone (Wonder Woman, Birds of Prey), Phil Jimenez (New X-Men, Wonder Woman), Greg Rucka (Detective Comics, Gotham Central), Matthew Clark (Outsiders, Wonder Woman), Stephen Sadowski (JSA, Warlord of Mars), Dan Parent (Archie, Kevin Keller), Donna Barr (The Desert Peach), Andy Mangels (Gay Comics, Iron Man: Beneath the Armor) and Carla Speed McNeil (FINDER).
Copies of The Power Within are available free of charge to youth services organizations and teachers’ groups. Please contact us by email to request copies. The book contains discussion questions so that the book can be used as a tool to start a conversation about issues of bullying and harassment.
PREVIEW:
Read the first part of the story right now!
INTERVIEWS:
Review at Gay.com by Jase Peeples — “Moved by the rash of suicides committed by bullied LGBT teens last year, Christensen and Brill took it upon themselves to create a story they hope will reach others in a way only comics can.”
Interview on Tacoma KOMO — “Imagine a world in which bullied teens are protected by muscled superheroes. It sounds fantastic, but this is exactly the world Zan Christensen and Mark Brill have created in a new comic intended to help teens cope with bullying and harassment in school.”
http://www.youtube.com/watch?v=rCXzxJ-qDA4 http://www.youtube.com/watch?v=qCGaSZfBpqM
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Sale!QU33R $9.99 – $29.99
Winner of the 2014 Ignatz Award for Outstanding Anthology!
QU33R, from editor Rob Kirby, features 241 pages of new comics from 33 contributors—legends and new faces alike.
In 2012, Justin Hall edited a book called No Straight Lines: Four Decades of Queer Comics, that took readers on a journey from the beginnings of LGBT comics history to the present day. QU33R is an all-new project featuring queer comics legends as well as new talents that picks up where No Straight Lines left off. We’ve set down our history, now QU33R shines a light on our future!
QU33R had its genesis in an all-color queer comic zine called THREE, which featured three stories by three creators or teams per issue. Rob Kirby published three installments of THREE annually from 2010 to 2012, and the series did well, garnering not only an Ignatz nomination for Outstanding Anthology or Collection but also earning Rob the Prism Comics Queer Press Grant in 2011.
Producing the anthology was immensely gratifying, but featuring just three comics and publishing only once per year meant a lot of cartoonists weren’t getting the exposure they deserved. The publishing opportunities for queer cartoonists and queer subject matter are still limited, even today, and Rob longed for a wider distribution than he was able to manage on his own. He approached Northwest Press about doing a bigger compendium of all-new work.
While THREE was happening, Justin Hall was preparing his book No Straight Lines: Four Decades of Queer Comics, which Fantagraphics published in the summer of 2012. No Straight Lines traced the history of queer comics from their humble beginnings in the late 60’s/early 70’s all the way up to the present. The book was a whopping, award-winning success. Rob got to thinking that a follow-up volume—a sort-of-sequel focusing on all new work—would seal the deal, informing the world at large that we are still here, still queer, and still producing fresh and innovative work. He wanted to include not only several queer comics veterans, but also some fresh new faces and a few folks who haven’t necessarily belonged to the orthodox “queer comics scene” but have been doing non-heteronormative work all along.
QU33R features over 240 pages of new comics from a cross-generational lineup of award-winning LGBTQ cartoonists.
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Dash #3 $2.99 – $3.99
Zita Makara is out for blood and Dash is in her sights! Can he stop her before another life is lost? Is she really the monster she appears to be…or is someone else pulling the strings?
Comics Worth Reading –
“Dave Ebersole and Delia Gable have put together a very readable comic. I particularly like Gable’s clean lines and period detail. It’s a clever twist, too, for Dash to be rather insecure about his relationship, given how cocky the traditional noir detective can be. Dash isn’t hiding who he is — although a friendly cop makes it clear his public exercise of his emotions is illegal back then — but he’s not at all sure he can count on Johnny. Plenty of snappy dialogue, too, well-suited to the genre.” Read Johanna Draper-Carlson’s whole review on Comics Worth Reading.
cxPulp –
“This is one of those comics that’s just bound to push all the right buttons for me, as it has several things I like. First of all, the hardboiled detective, which is a trope I love, and it’s set in ’40s Los Angeles, so the art is full of those period details that always look great. Add to this a bombshell female client that he’s sure is lying to him, and a homme fatale boyfriend he’s sure he can’t trust either, and it’s a great read for me.” Read Andrea Speed’s whole review on cxPulp.
Comic Vine –
“Dash puts a spin on the traditional noir tale, keeping the aesthetic (complete with gritty ’40s setting and the femme fatale), but ditching the world-weary hardboiled detective in favor of a trope-busting protagonist.” Read Jen “Miss J” Aprahamanian’s whole review on Comic Vine.
Comic Bastards –
“Really, this story is trying to appeal to fans of the P.I. genre that are looking for a new angle on the well-worn formula. Well, look no further than Dash.” Read Dustin Cabeal’s whole review on Comic Bastards.
The Newest Rant –
“Writer Dave Ebersole gives us a suspenseful story and artist Delia Gable provides artwork that is appropriately moody, with muted colors and a slight feeling of unease that compliments the events of the story perfectly.” Read David Charles Bitterbaum’s whole review on The Newest Rant.
Broken Frontier –
“…an enjoyable and very engaging opener that takes a familiar set-up and gives it a fresh twist. Northwest Press do more than most to embody the mantra they use as their tagline: ‘comics are for everyone’.” Read Tom Murphy’s whole review on Broken Frontier.
Bag & Bored –
“…[Dash] is the story about a gay Private Detective, a mysterious Egyptian woman, a dead antique dealer, and mummies (the walking around kind), but at its heart, it’s a detective story. The rest serves the story to make it more interesting and complex, but if you’re a fan of noir, than Dave Ebersole and Deila Gable have your ticket filled.” Read Brad Gischia’s whole review on Bag & Bored.
ComicBooked.com –
“Writer Dave Ebersole and artist Delia Gable present a new classic in the making with a murder mystery that may or may not have a touch of supernatural… with a twist! Great artwork and honest storytelling create a world that is not unfamiliar to our time period, but perhaps a bit risqué for the one in which it takes place. The main character, Dash, is charming, suave, intelligent, and gay. But this is by no means a ‘gay’ comic. After all, as the publisher openly states on the covers and logos of all of their products: ‘Comics are for Everyone’. This has never been more true. I can’t wait to see how this mystery wraps up, what happens to Dash next, and if everything works out in the end. And after just two short issues, I’m sure you will be wondering the same things.” Read Jeff Hill’s review on ComicBooked.com.
Pulp Cultured –
“A great core and setting has been set up by writer Dave Ebersole and it’s apparent that the book is something that took a great deal of thought to write. Each character that we come across in Dash as their own personality that makes everyone seems authentic and in place for even the smallest bit of dialog. The fine writing is paired with some nice artwork by Delia Gable that sets a young Los Angeles up to be gorgeous.” Read Jordan Cruz’s review on Pulp Cultured.
Foxy Jazzabelle –
“A good mystery is when slowly but surely, you see how occurrences that, at first glance, don’t seem to have any connection to each other connect together in a cohesive way, and that’s what we get with Dash.” Read Foxy Jazzabelle’s full review.
Multiversity Comics –
“Taking a page from the hardboiled detective genre, “Dash” includes an out detective, Egyptian lore, lovers’ quarrels, mysterious artifacts, and a spree of homicides. Dave Ebersole and Delia Grace work together to bring out a fun and thrilling romp through an old-school Los Angeles.” Read Matthew Garcia’s review on Multiversity Comics.
Kleefeld on Comics –
“Dash is a solid story in and of itself. But what I find most intriguing is how the individuals of 1940 act and interact, knowing Dash’s sexual orientation. Who accepts him, who tolerates him, and who actively hates him. The story doesn’t at all revolve around Dash’s homosexuality, and all of the characters seem well-rounded outside of whatever relationship they have with Dash, but that identity Dash brings to the table and how others feel about that make for an interesting undercurrent that runs through the book.” Read Sean Kleefeld’s review on Kleefeld on Comics.