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Dave Ebersole, Delia Gable,
Dash #2
by: Dave Ebersole, Delia GableAfter the shocking events of the last issue, Dash is now on the hunt for the mysterious Zita Makara. But will a violent interrogation by his former colleague turned rival, Detective Bruno Fernez, prevent him from stopping another murder?
$2.99 – $3.99
After the shocking events of the last issue, Dash is now on the hunt for the mysterious Zita Makara. But will a violent interrogation by his former colleague turned rival, Detective Bruno Fernez, prevent him from stopping another murder?
ISBN: 9781938720741
Publisher: Northwest Press
Publish Date: 2015
Page Count: 24
| Weight | 4 oz |
|---|---|
| Dimensions | 10 x 6.625 x .125 in |
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The Lavender Menace: Tales of Queer Villainy! $3.99 – $9.99
Thirteen short stories of terror, mayhem, and destruction which offer something highly unique in a genre that demands certain characters be only heroes or victims… gay villains! Prose collection with an introduction by Lambda Literary Award winning editor Tom Cardamone.
Cover by Joe Phillips.
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Anything That Loves $9.99 – $29.99
“Why don’t you just come out already?”
“How can you be bi if you’re married?”
“You’ll do it with anything that moves.”
For all their differences, gay and straight people are often united in their problems with bisexuality. People who follow their hearts wherever they lead, regardless of gender, are still usually met with disbelief and suspicion.
From confessional, personal accounts to erotic flights of fancy to undersea identity politics, this collection of comics invites the reader to step outside of the categories and explore the wild and wonderful uncharted territory between “gay” and “straight”.
Featuring comics and illustrations by Adam Pruett, Agnes Czaja, Alex Dahm, Amy T. Falcone, Ashley Cook & Caroline Hobbs, Bill Roundy, Ellen Forney, Erika Moen, Jason A. Quest, Jason Thompson, John Lustig, Jon Macy, Josh Trujillo & Dave Valeza, Kate Leth, Kevin Boze, Leanne Franson, Leia Weathington, Lena H. Chandhok, Margreet de Heer, MariNaomi, Maurice Vellekoop, Melaina, Nick Leonard, Powflip, Randall Kirby, Roberta Gregory, Sam Orchard, Sonya Samantha Saturday, Stasia Burrington, Steve Orlando, Tania Walker, and Tara Madison Avery & Mike Sullivan.
Featuring an introduction by editor Charles “Zan” Christensen and a foreword by PoMoSexuals author Carol Queen, PhD.
Winner of the Bisexual Book Award for Bisexual Nonfiction!
Royalties from the sale of this book are being donated to Prism Comics, the nonprofit organization that’s been helping LGBT comics, creators, and readers for over ten years!
Check out a discussion panel with the editor and some contributors from Emerald City Comic-Con 2013…
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QU33R $9.99 – $39.99
Winner of the 2014 Ignatz Award for Outstanding Anthology!
QU33R, from editor Rob Kirby, features 241 pages of new comics from 33 contributors—legends and new faces alike.
In 2012, Justin Hall edited a book called No Straight Lines: Four Decades of Queer Comics, that took readers on a journey from the beginnings of LGBT comics history to the present day. QU33R is an all-new project featuring queer comics legends as well as new talents that picks up where No Straight Lines left off. We’ve set down our history, now QU33R shines a light on our future!
QU33R had its genesis in an all-color queer comic zine called THREE, which featured three stories by three creators or teams per issue. Rob Kirby published three installments of THREE annually from 2010 to 2012, and the series did well, garnering not only an Ignatz nomination for Outstanding Anthology or Collection but also earning Rob the Prism Comics Queer Press Grant in 2011.
Producing the anthology was immensely gratifying, but featuring just three comics and publishing only once per year meant a lot of cartoonists weren’t getting the exposure they deserved. The publishing opportunities for queer cartoonists and queer subject matter are still limited, even today, and Rob longed for a wider distribution than he was able to manage on his own. He approached Northwest Press about doing a bigger compendium of all-new work.
While THREE was happening, Justin Hall was preparing his book No Straight Lines: Four Decades of Queer Comics, which Fantagraphics published in the summer of 2012. No Straight Lines traced the history of queer comics from their humble beginnings in the late 60’s/early 70’s all the way up to the present. The book was a whopping, award-winning success. Rob got to thinking that a follow-up volume—a sort-of-sequel focusing on all new work—would seal the deal, informing the world at large that we are still here, still queer, and still producing fresh and innovative work. He wanted to include not only several queer comics veterans, but also some fresh new faces and a few folks who haven’t necessarily belonged to the orthodox “queer comics scene” but have been doing non-heteronormative work all along.
QU33R features over 240 pages of new comics from a cross-generational lineup of award-winning LGBTQ cartoonists.
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A Waste of Time #1 $2.99 – $4.99
Rick the cartoonist rabbit is growing desperate for success, while his creations—including a coke-addicted teddy bear and a broken robot—have their own plans for his career. Things start to take a sinister turn, and Rick surprises even himself with the depths of pandering to which he’ll sink.
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A Waste of Time $7.99 – $19.99
The first full-length collection of irreverent and sweet comic strips from Rick Worley. Featuring a foreword by StevieD and EvilJeff from the Comic Book Queers podcast.
Foul-mouthed, sex-obsessed and misanthropic, Rick is no ordinary cute cartoon rabbit. The strips in this hysterically funny, surprisingly sweet collection range from fantasy tales about a closeted fundamentalist teddy bear, an oversexed fox, and a doomed robot love affair to autobiographical comics that share maybe a little too much information about the author. In their quest for contentment, the characters fail, fail, and sometimes fail again, but they never stop looking. There’s always the chance they’ll find that one person who was worth the search.
Or maybe not.
RAVES:
“There’s a brutal frankness and honesty coming from these foxes and teddy bears that you rarely see anywhere else. Comics are the one of the last havens to be truly offensive and beautifully unapologetic.” — from the foreword by StevieD and EvilJeff from the Comic Book Queers podcast.
“Beautifully drawn, hilarious, wistful, profane and very human. Rick Worley’s A Waste of Time knocked me out.” — Robert Kirby, creator of Curbside, Boy Trouble and THREE.
“Rick Worley’s insightful A Waste of Time comic strips are simultaneously tender and perverse—like his bunny.” — Howard Cruse, author of Stuck Rubber Baby and Wendel.
The Newest Rant –
“I clearly quite liked the story this issue, but how about the art? I think it was stellar. It continued to capture the mood of the 1940’s in its coloring and attention to the details of the era, and it also wonderfully conveyed action. Sometimes in comics it can be tricky to illustrate a fight scene well, but within this issue when Dash and the jerk-detective get to brawling, it only takes about a page-and-a-half of wordless imagery to convey the flowing movement of how Dash is clearly someone not to be trifled with.” Read David Charles Bitterbaum’s review on The Newest Rant.
Comic Book Resources –
“There’s something refreshing about Dash, Dave Ebersole and Delia Gable’s private-eye-meets-supernatural story set in 1940 Los Angeles. With its mixture of mystery, drama and emotional turmoil, there’s a little something for everyone here. And while most stories of this nature would probably debut as a completed graphic novel, I like the fact that it’s a series that understands how to use the issue-by-issue pacing.” Read Greg McElhatton’s review on Comic Book Resources.
cxPulp –
“This continues to be an excellent genre mash of noir and supernatural mystery, and right in my own personal sweet spot. It’s like someone’s writing a comic just for me. (To which I say it’s about damn time.)” Read Andrea Speed’s whole review on cxPulp.
Bag & Bored –
“…[Dash] is the story about a gay Private Detective, a mysterious Egyptian woman, a dead antique dealer, and mummies (the walking around kind), but at its heart, it’s a detective story. The rest serves the story to make it more interesting and complex, but if you’re a fan of noir, than Dave Ebersole and Deila Gable have your ticket filled.” Read Brad Gischia’s whole review on Bag & Bored.
ComicBooked.com –
“Writer Dave Ebersole and artist Delia Gable present a new classic in the making with a murder mystery that may or may not have a touch of supernatural… with a twist! Great artwork and honest storytelling create a world that is not unfamiliar to our time period, but perhaps a bit risqué for the one in which it takes place. The main character, Dash, is charming, suave, intelligent, and gay. But this is by no means a ‘gay’ comic. After all, as the publisher openly states on the covers and logos of all of their products: ‘Comics are for Everyone’. This has never been more true. I can’t wait to see how this mystery wraps up, what happens to Dash next, and if everything works out in the end. And after just two short issues, I’m sure you will be wondering the same things.” Read Jeff Hill’s review on ComicBooked.com.
Comics Worth Reading –
“The voices of the characters are crisp and distinctive, while the art is full of emotion and attitude under a period veneer…” Read Joanna Draper Carlson’s review on Comics Worth Reading.
Foxy Jazzabelle –
“A good mystery is when slowly but surely, you see how occurrences that, at first glance, don’t seem to have any connection to each other connect together in a cohesive way, and that’s what we get with Dash.” Read Foxy Jazzabelle’s full review.
Multiversity Comics –
“Taking a page from the hardboiled detective genre, “Dash” includes an out detective, Egyptian lore, lovers’ quarrels, mysterious artifacts, and a spree of homicides. Dave Ebersole and Delia Grace work together to bring out a fun and thrilling romp through an old-school Los Angeles.” Read Matthew Garcia’s review on Multiversity Comics.
Kleefeld on Comics –
“Dash is a solid story in and of itself. But what I find most intriguing is how the individuals of 1940 act and interact, knowing Dash’s sexual orientation. Who accepts him, who tolerates him, and who actively hates him. The story doesn’t at all revolve around Dash’s homosexuality, and all of the characters seem well-rounded outside of whatever relationship they have with Dash, but that identity Dash brings to the table and how others feel about that make for an interesting undercurrent that runs through the book.” Read Sean Kleefeld’s review on Kleefeld on Comics.