Rob Kirby, David Kelly, Rick Worley, Justin Hall, Jon Macy, Steve MacIsaac, Craig Bostick, Jennifer Camper, Tyler Cohen, Howard Cruse, Diane DiMassa, Kris Dresen, Dylan “NDR” Edwards, Michael Fahy, Edie Fake, Nicole J. Georges, Terrance Griep, Andy Hartzell, Ed Luce, MariNaomi, Carrie McNinch, Annie Murphy, L. Nichols, Jose-Luis Olivares, Eric Orner, Carlo Quispe, Marian Runk, Christine Smith, Sina Sparrow, Sasha Steinberg, Ivan Velez, Jr., Amanda Verwey, Eric Kostiuk Williams,
QU33Rby: Rob Kirby, David Kelly, Rick Worley, Justin Hall, Jon Macy, Steve MacIsaac, Craig Bostick, Jennifer Camper, Tyler Cohen, Howard Cruse, Diane DiMassa, Kris Dresen, Dylan “NDR” Edwards, Michael Fahy, Edie Fake, Nicole J. Georges, Terrance Griep, Andy Hartzell, Ed Luce, MariNaomi, Carrie McNinch, Annie Murphy, L. Nichols, Jose-Luis Olivares, Eric Orner, Carlo Quispe, Marian Runk, Christine Smith, Sina Sparrow, Sasha Steinberg, Ivan Velez, Jr., Amanda Verwey, Eric Kostiuk Williams,
QU33R, from editor Rob Kirby, features great new comics from 33 contributors—legends and new faces alike. Winner of the 2014 Ignatz Award for Outstanding Anthology!
$9.99 – $39.99
Justin Hall is a San Francisco-based cartoonist and educator. He created the comics series True Travel Tales, Glamazonia, and Hard To Swallow (with Dave Davenport), with his work also appearing in such places as the Houghton Mifflin Best American Comics, Best Erotic Comics, QU33R, and the San Francisco Bay Guardian. He is the editor of No Straight Lines: Four Decades of Queer Comics, which won a Lambda Literary Award and received an Eisner Award nomination and is now being adapted into a documentary film. Hall has curated shows of comics art at the S.F. Cartoon Art Museum and the Schwules (Gay) Museum in Berlin, helped create the Artists’ Area at the Folsom Street Fair, and is the co-organizer of the Queers & Comics conference. He has been on the boards of the nonprofits Prism Comics (supporting LGBTQ comics) and Our Books (supporting Cambodian comics), and has done academic writing on comics for the Routledge and Cambridge presses. He is an Assistant Professor of Comics at the California College of the Arts, and a Fulbright Scholar. Find out more at justinhallcomics.com.
Steve MacIsaac has been drawing naked men pretty much since he could pick up a pencil. Being somewhat slow on the uptake, he had a hard time figuring out that this tendency might hold some clue to his sexual orientation. He has self-published five issues of his series Shirtlifter.
Visit SteveMacIsaac.com for more.
Winner of the 2014 Ignatz Award for Outstanding Anthology!
QU33R, from editor Rob Kirby, features 241 pages of new comics from 33 contributors—legends and new faces alike.
In 2012, Justin Hall edited a book called No Straight Lines: Four Decades of Queer Comics, that took readers on a journey from the beginnings of LGBT comics history to the present day. QU33R is an all-new project featuring queer comics legends as well as new talents that picks up where No Straight Lines left off. We’ve set down our history, now QU33R shines a light on our future!
QU33R had its genesis in an all-color queer comic zine called THREE, which featured three stories by three creators or teams per issue. Rob Kirby published three installments of THREE annually from 2010 to 2012, and the series did well, garnering not only an Ignatz nomination for Outstanding Anthology or Collection but also earning Rob the Prism Comics Queer Press Grant in 2011.
Producing the anthology was immensely gratifying, but featuring just three comics and publishing only once per year meant a lot of cartoonists weren’t getting the exposure they deserved. The publishing opportunities for queer cartoonists and queer subject matter are still limited, even today, and Rob longed for a wider distribution than he was able to manage on his own. He approached Northwest Press about doing a bigger compendium of all-new work.
While THREE was happening, Justin Hall was preparing his book No Straight Lines: Four Decades of Queer Comics, which Fantagraphics published in the summer of 2012. No Straight Lines traced the history of queer comics from their humble beginnings in the late 60’s/early 70’s all the way up to the present. The book was a whopping, award-winning success. Rob got to thinking that a follow-up volume—a sort-of-sequel focusing on all new work—would seal the deal, informing the world at large that we are still here, still queer, and still producing fresh and innovative work. He wanted to include not only several queer comics veterans, but also some fresh new faces and a few folks who haven’t necessarily belonged to the orthodox “queer comics scene” but have been doing non-heteronormative work all along.
QU33R features over 240 pages of new comics from a cross-generational lineup of award-winning LGBTQ cartoonists.
Publisher: Northwest Press
Publish Date: 2013
Page Count: 264
Rated 4.00 out of 5The Completely Unfabulous Social Life of Ethan Green by: Eric Orner $9.99 – $24.99
Eric Orner’s groundbreaking comic strip, “The Mostly Unfabulous Social Life of Ethan Green”, debuted in 1990 and appeared in papers in a hundred cities across the US, Canada and the UK. Now, for the first time, every subversive, laugh-out-loud funny, and occasionally surreal episode from the gay everyman’s 15 years in print is in one deluxe collection. Includes behind-the-scenes stories from the author, bonus strips, and a foreword by New York Times bestselling author David Ebershoff.
Rated 4.00 out of 5The Lavender Menace: Tales of Queer Villainy! by: Tom Cardamone, Joe Phillips, Charles “Zan” Christensen, Steven Bereznai, ‘Nathan Burgoine, Hal Duncan, Matt Fagan, Jamie Freeman, Marshall Moore, Jeffrey Ricker, Rod M. Santos, Damon Shaw, Lee Thomas, Stellan Thorne, $3.99 – $9.99
Thirteen short stories of terror, mayhem, and destruction which offer something highly unique in a genre that demands certain characters be only heroes or victims… gay villains! Prose collection with an introduction by Lambda Literary Award winning editor Tom Cardamone.
Cover by Joe Phillips.
Rated 3.00 out of 5RISE: Comics Against Bullying #1 by: Joey Esposito, Kristopher White, Erica Schultz, Adam Pruett, Marc Guggenheim, Howard Chaykin, Jeremy Thomas, Boy “Boykoesh” Akkerman, Adam P. Knave, Chris Haley, Paul Castiglia, Chris Allan, Spencer Perry, Jody Houser, Jean Kang, Benjamin Bailey, Ryan Cody, Brad Bell, George Zapata, Jon Carroll, Dawn Griffin, Chris Roberson, Dennis Culver, $2.99 – $4.99
We all have a place where we belong. Featuring all-new stories from Howard Chaykin (American Flagg), Marc Guggenheim (Arrow), Chris Roberson & Dennis Culver (Edison Rex), Adam P. Knave (Amelia Cole), Jed Dougherty (World’s Finest), and many more! Proceeds benefit organizations including GLAAD, Prism Comics, and Stand For The Silent.
Rated 4.25 out of 5The Legend of Bold Riley by: Leia Weathington, Marco Aidala, Vanessa Gillings, Kelly McLellan, Konstantin Pogorelov, Jason Thompson, Brinson Thieme, $9.99
Leia Weathington’s sword-and-sorcery epic The Legend of Bold Riley is illustrated by Leia and a host of talented artists.
“Who is Bold Riley?” you might ask. She has hunted the wildest game and dallied with countless beautiful girls, but still longs to know the world beyond the city walls. Princess Rilavashana SanParite, called Bold Riley, leaves behind her station and sets out to travel through distant lands and find forgotten ruins, fearsome enemies, inscrutable gods and tragic love.
She’s as capable with a sword as she is with her wits—man, does she carve things up when the need arises—and is a strong, beautiful, confident woman who doesn’t wear a bikini into battle. And she always gets the girl!
Created by Leia Weathington, with art by Weathington, Marco Aidala, Vanessa Gillings, Kelly McClellan, Konstantin Pogorelov and Jason Thompson. Cover artwork by Brinson Thieme. 232 pages. 7″x10″. Full-color with metallic ink cover.
Retailers! Download a Bold Riley Promotional Display that highlights the foreword by fan-favorite writer Jane Espenson and helps encourage customers to check out the book.
You can download a 67-page preview of the book in PDF or EPUB (iPad-only) format right here on the site. The preview includes excerpts from four of the stories in the book, bonus artwork and more.
Additionally, there’s a ZIP file of preview images available for use in reviews and articles. Download it here. (11MB ZIP file.)
Feature on Panel Patter by Rob McMonigal — “Ms. Weathington, working with a variety of other artists, has created a fantasy world ripe for exploration, with our guide being Bold Riley, a young woman with royal (but restless) blood. It’s great to see the ‘Uncharted Fantasy World’ idea given a new twist by having a protagonist that’s not only female, but queer as well.”
Feature on Portland Comic Books Examiner by Christian Lipski — “Author Leia Weathington is releasing Bold Riley, her first book, at the end of June, and spoke with the Portland Comic Books Examiner about her own journey.”
Interview on Portland Comics by Doug Dorr — “I worked with 5 other artists for Bold Riley and made the mistake at first of trying to really tightly control the visuals of the comic. That was something I learned to back off from pretty fast. If you are working with artists you probably decided to get into a collaboration with them for a reason. SO TRUST YOUR ARTIST! What I’ve started doing is making model sheets characters, objects and places that must look a certain way to maintain continuity in the story, after that I send photo references, script and descriptions of mood and setting and turn the artist loose to have fun with it.”
Interview on The Hathor Legacy by Maria Velazquez — “Like many creators I started writing the kind of story I always wanted to see. Like most women I was raised with fairy tales and the complex feelings that go with them. Sure they focus primarily on female leads, but those leads tend to be passive objects. The women are what things happen TO not people who make things happen themselves.”
Interview on Sequential Tart by Lee Atchison — “We like the anti-hero right now. And with reason. Things are shit, we’re all pretty jaded. How can you not be when at the click of a button you can see the latest string of atrocities played out before your eyes. I like the anti-hero, but somewhere amid all of the horror and the skepticism, I wanted to place a story about a hero who, while not beyond reproach, is good and wants to do good and tries her hardest.”